Typewriter Art: Finding New Use for Near-Extinct Machines

Manual typewriter artwork from Mike Greenstein's business card and website.

My friend and frequent art director Melissa Snavlin gets the credit for choosing a manual typewriter as the artwork for my business card (thanks again, Missy, it’s still working for me!)  The image is of course intended to characterize my writing and editing business as traditional, steady and dependable.  That’s the way I see it, anyway.

Recently I read about another American artist who is taking the practically extinct typewriter in an entirely different artistic direction. According to this piece by writer Simone Preuss, Oakland, Calif., artist Jeremy Mayer takes old typewriters and reassembles them to look like human heads and bodies. Mayer has been building these sculptures since 1994, using nothing but old typewriter parts. According to the article, some of his work has sold for  thousands.

To see his works and find out more, visit his website,  jeremymayer.com.

For the record, I don’t really use a manual typewriter anymore, having gone totally digital many years ago. Every time there’s a power outage, however, I wish I still had one.

If you’re ever at a similar loss for words, contact me. Maybe a good editor at a remote location can help.

Find Out What an Editor Does

The Editors’ Association of Canada (EAC) has published the 11-page brochure ”So You Want to Be an
Editor, “  a guide for people interested in editing as a profession. Many parts of it would also be beneficial for someone thinking about hiring an editor, explaining the many things editors do and the many reasons efficient communication is important in all fields.

Here’s favorite list in the brochure (edited by me, of course!):

1. Editors think for a living.
2. Successful editors turn their love of language into a way to earn a living and have an impact on the world around them.
3. Editors are team players, often working with writers, publishers and other editors to reach a common goal.
4. Technology is changing the way that editors do their work and the types of documents they deal with, but not the reason for editing. An editor’s goal is always the same: to improve communication.

Nicely said.

EAC is making the brochure available for free. Read the text or download it as a PDF from
http://www.editors.ca/join_eac/be_an_editor/index.html.

Should Sleeping Dogs Lie or Lay, and Other Grammar Puzzlers

Grammar's burning questions confronted.

In the adage “let sleeping does lie,”  is “lie” correct, or should it be “lay?” Do members comprise a committee, or do they compose one? Head-scratchers like these come up often, and each time they befuddle me anew. But do they continually befuddle me? Or is “continuously” the word I’m looking for?

Thankfully, the answers to such perplexing questions are now but a few keystrokes away. Any time you’re not sure whether you’re using the correct word or phrase,  just type the words that confuse you into a search engine and you’ll turn up more choices for grammar answers than you’ll ever need–and almost as many opinions about what’s right.

Here are a few examples:

Lie or Lay?

You lay or place something, as in: Lay the carpet or lay the book on the table. But you lie on a bed or other flat surface.
Therefore, the following  sentences are incorrect: He is laying on the bed. Why don’t you lie it on the bed? The correct forms are:  He is lying on the bed; why don’t you lay the book on the bed?

Here’s where it gets really confusing: The past tense and past participle of  lay is laid (they laid the groundwork; he had laid the plans), while the past tense of lie is lay and its past participle is lain: He lay on the floor face down; she had lain in bed for hours.

Continuing, Continuous or Continual?

Sorry, these words are not interchangeable.

Continual implies recurrence at regular or frequent intervals–for example, playing baseball requires continual practice. Continual means duration over a long period of time, but with intervals of interruptions.  A corporation evaluates the effectiveness of its products and implements change on a continual basis.

Continuous means extending uninterruptedly in time: For example: a continuous rain fell in Seattle for two days. Continuous is duration that continues over a period of time, but without intervals of interruption. For example:  The plan called for continuous improvement.  The electric fan emitted a continuous whirring sound.

In some cases, however, continuous can be interchangeable with continuing. If we look at them both as adjectives, continuous means unbroken and continuing usually means from a given point onward. Both can describe time or distance.  Some examples:

At one time, Route 66 was a continuous length of highway, stretching from Los Angeles to Chicago.

Ever since I’ve known you, your complaining has been continuous. 

Your continuing tardiness will not be tolerated.  (into the future)

As a present participle, continuing is often used in verb forms and as a gerund:  Continuing with this charade would be a grave mistake! (gerund)

The train passed through St. Louis and was continuing to Chicago. (participial phrase)

She was continuing to annoy me.  (past progressive tense)

Comprise or Compose?

Comprise means “is made up of” or “consists of.”  The whole comprises the parts. Compose means “make up” or “”make.”  The parts compose the whole.

Incorrect:  The Beatles was comprised of four musicians.

Correct:  The Beatles was composed of four musicians.

Correct:  The Beatles comprised four musicians.

Correct:  Four musicians composed the Beatles.

Searching for answers.

Once again, in practice it’s not that cut-and-dried. What about the phrases “is comprised of” and “is composed of”? In her excellent essay on this subject, Grammar Girl notes, “One of these (phrases) is allowed among grammarians, and one is not. ‘Is composed of’  is OK. You can say, ‘Our nation is composed of many ethnic groups.’ On the other hand, most grammar sources agree that ‘is comprised of” is an incorrect phrase. Just as you can’t say, ‘The house includes of seven rooms,’ you can’t say, ‘The house is comprised of seven rooms.’ You have to say, ‘The house comprises seven rooms.’”

Even this rule may be changing, however. Grammar Girl cites a survey by the  American Heritage Guide to Contemporary Usage and Style. The survey reports  that in 1965, 54 percent of the usage panel disapproved of the phrase “is comprised of,” whereas in 2005, 65 percent approved of it, and only 35 percent disapproved. This traditional distinction may be destined to fall by the wayside.

Confusing? Of course! So don’t frustrate yourself with such arcane rules. When it comes to getting your words shipshape, just hire an editor and let an expert decide.

Don’t Let Word Errors Drag You Down

What’s the price of cutting a few corners when your business prepares copy for advertising, news releases or important announcements? A few grammatical errors or typos here and there? Big deal.

Sorry. It IS a big deal. Do a search on “typos” and you’ll find many websites devoted to making fun of them. But more than merely being embarrassing, typos cast yourself and your company in a less‑than‑professional light. In an extreme case, errors might even cost you money.

BBC News recently reported that spelling mistakes cost companies millions in lost sales. According to the article, an analysis of e-commerce websites showed “misspellings put off consumers who could have concerns about a website’s credibility.” The article quotes online entrepreneur Charles Duncombe that “spelling is important to the credibility of a website. When there are underlying concerns about fraud and safety, then getting the basics right is essential.” A New York Times blog post “The Price of Typos” by columnist Virginia Heffernan points out that misspellings could keep a website out of the Top 10 search results listings. “Search engines look for strings of characters in sequence,” she explains. “If your site has misspellings, Google is less likely to list it at the top of search results.”

Fred Vultee, a journalism professor at Wayne State University, recently conducted a study on the value of editing. Respondents read four edited news stories and four unedited news stories and answered questions about each. He found that readers, especially regular readers, can distinguish an edited news story from an unedited one. They notice errors and are bothered by them.

Do errors of grammar or spelling bother the readers of your website, blog or business letters? Rather than find out the hard way, maybe it’s a good idea to have someone else check your copy before you hit the Send button. An experienced editor can spare you embarrassment and sharpen your message. Contact an editor today: mikegreenstein.com.

How to Tell a Simile from a Metaphor

It’s not often that prime-time television examines the fine points of writing. On a recent episode of the TNT cop series Memphis Beat, however, three of the lead characters discuss the difference between simile and metaphor. Unfortunately, their dialog doesn’t do a great job of it.

Memphis Beat characters (left to right) Sutton, Hendricks and White discuss the intracacies of simile and metaphor at a crime scene.

Memphis Beat star Jason Lee (formerly the lead of the comedy My Name Is Earl) plays Dwight Hendricks, a Memphis police detective with an intimate connection to his city and a passion for its music. Investigating a mansion break-in, Dwight compares the high-end burglars who pulled the heist to former Detroit Lions running back Barry Sanders; like Sanders, these burglars retired uncaught in 10 break-ins several years ago, walking away from the game at  the pinnacle of their career. When uniform cop Davey Sutton (DJ Qualls) appears confused by the Sanders reference, Hendricks’ partner Charlie White (Sam Hennings) explains, “It’s a simile, son, simile.” Sutton, however, apparently knows something about literary devices himself, and responds: “Actually, that would be a metaphor, Whitehead. A simile would be something like ‘Your tie is a crime against humanity.’”

Detective White just lets it go, but Sutton’s retort is not quite correct. A simile is a figure of speech that compares two different things by employing the words “like,” “as” or “than, ” while a metaphor compares two things directly. For instance, a simile to describe a fast runner  would be: “Tom runs as fast as a speeding bullet.” A similar metaphor might read, “When Tom ran, he raced down the track at bullet speed.”

While Sutton correctly identifies Dwight’s comparison as a metaphor, his own example is not a simile. “Your tie is as ugly as sin”–a comparison using “as”–would be a simile. But “your tie is a crime against humanity,” with no “like” or “as,”  is simply an intentional overstatement–which is hyperbole,  a deliberate exaggeration to create emphasis or effect.

My advice on this topic: Watch Memphis Beat for its engaging stories, quirky characters and especially for its musical score, coordinated by the contemporary blues singer and composer Keb Mo. But when you need lessons in literary devices and good grammar, find a good editor.

More on Writing Less

As USA Today founder and “Plain Talk” columnist Al Neuharth noted in one of his 300-word weekly essays, “Short is not easy, in writing or speaking. It’s much more difficult.”

To back up his claim, his March 25, 2011, column cited:

• President Franklin D. Roosevelt, who said it took him an hour to write a one-hour speech, but two hours or more to do a 30-minute version.
• Henry David Thoreau:  “Not that the story need be long, but it will take a long time to make it short.”
• Mark Twain: “If I had more time, I’d write shorter.”
• Carl Sessions, senior editor, American Journalism Review: “Consider the things that stick with you: the Ten Commandments, the Gettysburg Address, the Seven Dwarfs. Al (Neuharth) is right: Think long. Write short.”

On the other hand, Deborah Tannen, author and linguistics professor, Georgetown University, comments, ”Brevity hones thinking and forces clarity, but can also mean losing subtlety and nuance. The challenge is knowing when it does more harm than good.”

Which is why every writer could use an editor.

The KISS Method: Keep It Short, Stupid

 

USA Today Founder and Columnist Al Neuharth

When Gannett began publishing USA Today in 1982, journalism pundits roundly ridiculed the five-day-a-week paper for its “McJournalism” style: short, punchy articles as lean as editors could make them. Today, in the Internet Age, that style almost seems long-winded, at least compared to 140-character-or-less tweets.

USA Today founder Al Neuharth’s Plain Talk of March 25, 2011, discussed how he writes his weekly column, which is never more than 300 words.

“When I do the first draft,” Neuharth wrote, “it sometimes runs 500 words or more. That’s easy. Trimming it down is difficult. That sometimes takes me two or three hours.

“Getting things short and to the point us the most important thing we should keep in mind in our personal or professional lives. In writing or speaking. From grade school to high school to college to our job.

“Long-winded stuff loses the attention of listeners., readers, viewers, friends, even family. That’s true in one-on-one discussions, group gatherings or the mass media.”

That’s great advice. But when you don’t have the time to polish   writing yourself, find yourself a good editor.